2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
Omg, this is crap. There comes a point in editing when this thought will probably enter your mind. For me, it's usually during the first pass when I'm discovering the plot holes, adverb nests, that corny filler scene that I breezed through late one night after a few drinks, and that long chapter where everything is dialogue.
Take a deep breath.
You got the story written. That's a big accomplishment. Now we're here, knowing there are issues, and we're doing to fix them.
Admitting there are issues is the first step. That feeling of writing "The End" can be pretty intense. All the words. They're so pretty! The first draft is done!
Enjoy that moment. Take a day or a week off.
There, now it's time to face reality. You have editing to do. Your story will be better, stronger, sleeker after you're done.
Depending on your stamina, an editing pass might take a couple days or just as long as it took to write the damn thing. Set a goal and do your best to keep it.
I find working one chapter at time makes those early passes more tolerable. Take notes of the bigger issues you'll need to conquer while you're fixing the smaller things, especially if those issues require tweaking or additions in chapters you're not currently editing. This will help keep you focused on getting this one part done rather than skipping around. Because let me tell you, that can turn into a depressing "If You Give A Mouse A Cookie" adventure. There's no surer way to be overwhelmed by all the crap, than to visit the highlight reel by taking a speed reading trip through your novel. Not to mention, skipping around can cause continuity nightmares. Don't be tempted. It's not worth it.
Remember, it's not crap. It's a first draft. It's a starting point to something that could, with some time and effort, be pretty darn awesome.
How much downtime to you prefer to take between finishing the first draft and starting to edit?
Tuesday, April 18, 2017
Monday, April 17, 2017
A to Z: Editing Fiction - Names
2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
What's in a Name? Easy answer: some letters. Yet, they can be a pain in the ass to come up with. One of the characters in The Last God has had his name changed three times during the first draft. Find/Replace, I love you.
As you're wandering through your novel, take a look at the names you've chosen. Are they different enough from one another that it's clear who is who? While John and Johan having fast paced duel might be fun to watch, it could be difficult to follow when reading.
If you're in your own world or in a specific region, do the names work together to form an impression of the society you're working with? For example, you probably don't want Ma'touac and Tim sitting around the communal fire.
Names that have special meaning might take a little explanation, but try not to go overboard into backstory/info dump territory. Sure, you spent three bleary-eyed days pouring through name lists on the internet, seeking out meanings in six languages before settling on just the right one, but is that information pertinent to the story or one of those author quirks that you should revel in behind the scenes?
When you decided that everything on this new planet needed its own name, right down to the potatoes, you might have gone to far. Renaming a few things for flavor works wonderfully to set the scene, but I don't want to constantly refer to the hundred page decoder glossary at the back of the book. In fact, I'd be thrilled if there was no glossary at all. Verify that the things you've named are described adequately so the reader will know what they are in context.
Since I brought up the wonders of Find/Replace, let us pause a moment for a cautionary tale.
Example one: Years ago I changed a MC's last name. No big deal. Except for some funky reason, when I sent the full MS off to the publisher, whatever program they used to convert the .doc to what they wanted to read it in, removed every single instance of that last name. That made for some really weird reading. This was a very odd error, as I'd used the F/R on many other elements in that story over the years. Why it picked that main thing to throw a fit over, I may never know.
Example two: You're feeling confident that using F/R to do the simple switch of Lex to Logan is no big deal. You don't need to monitor every replace, right? Just do them all and be done with it. Yes, well... All is groovy until you start to edit and come across frankenwords like "Her fair comploganion." No sir, not good.
And last, but the most frequent offender: Can anyone else pronounce that combination of letters? I'm sure Xyifnl is a really smart and talented girl that I should be cheering for, but I can honestly tell you she's been nicknamed X in my head for the entire book.
What's your name pet peeve?
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
What's in a Name? Easy answer: some letters. Yet, they can be a pain in the ass to come up with. One of the characters in The Last God has had his name changed three times during the first draft. Find/Replace, I love you.
As you're wandering through your novel, take a look at the names you've chosen. Are they different enough from one another that it's clear who is who? While John and Johan having fast paced duel might be fun to watch, it could be difficult to follow when reading.
If you're in your own world or in a specific region, do the names work together to form an impression of the society you're working with? For example, you probably don't want Ma'touac and Tim sitting around the communal fire.
Names that have special meaning might take a little explanation, but try not to go overboard into backstory/info dump territory. Sure, you spent three bleary-eyed days pouring through name lists on the internet, seeking out meanings in six languages before settling on just the right one, but is that information pertinent to the story or one of those author quirks that you should revel in behind the scenes?
When you decided that everything on this new planet needed its own name, right down to the potatoes, you might have gone to far. Renaming a few things for flavor works wonderfully to set the scene, but I don't want to constantly refer to the hundred page decoder glossary at the back of the book. In fact, I'd be thrilled if there was no glossary at all. Verify that the things you've named are described adequately so the reader will know what they are in context.
Since I brought up the wonders of Find/Replace, let us pause a moment for a cautionary tale.
Example one: Years ago I changed a MC's last name. No big deal. Except for some funky reason, when I sent the full MS off to the publisher, whatever program they used to convert the .doc to what they wanted to read it in, removed every single instance of that last name. That made for some really weird reading. This was a very odd error, as I'd used the F/R on many other elements in that story over the years. Why it picked that main thing to throw a fit over, I may never know.
Example two: You're feeling confident that using F/R to do the simple switch of Lex to Logan is no big deal. You don't need to monitor every replace, right? Just do them all and be done with it. Yes, well... All is groovy until you start to edit and come across frankenwords like "Her fair comploganion." No sir, not good.
And last, but the most frequent offender: Can anyone else pronounce that combination of letters? I'm sure Xyifnl is a really smart and talented girl that I should be cheering for, but I can honestly tell you she's been nicknamed X in my head for the entire book.
What's your name pet peeve?
Saturday, April 15, 2017
A to Z: Motivations
2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
Are your characters properly Motivated? Do their actions make sense to someone not inside their head?
One of the things I like to do best when I'm editing/reading/critiquing/whatever term makes you happy for someone else, is ask why. Why does a character have to do whatever it is that the author has deemed they must do? Does it fit with their character? Does it make sense?
This might mean the stakes need to be increased or more conflict is necessary to drive the character to a specific action. Maybe they're doing an action that entirely illogical but would make complete sense with more set up earlier in the story. Do we need a little backstory or introspection to clarify the why?
To much why can be a sign of a weak plot. Again, not that the story is bad or the idea sucks, but perhaps everything that needs to be there to make the character's motivation a strong one, isn't all on the page yet. I've been guilty a time or three of sending a story off to critique partners before I've gotten all the necessary words out of my head and onto the page. Sometimes, dammit, we're just really excited to send it off for feedback. Which typically leads to the story limping back covered in red ink and then it sits in the corner, staring glumly at the floor for a few days. Poor thing.
Things to consider:
Is this character under enough pressure to have to make this terrible/major choice?
Does event A, B and C add up to a logical reason why the character acts this way?
Is the character taking an active role in what happens to him/her?
You definitely have some work to do if: The character is acting erratically because...
they had a bad dream or a bad feeling with no further elaboration
for because I am the writer and I said so. Don't question me!
they just felt like doing something different that day
the prophecy said it would happen like this
Enough about character motivations, what motivates you to write?
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
Are your characters properly Motivated? Do their actions make sense to someone not inside their head?
One of the things I like to do best when I'm editing/reading/critiquing/whatever term makes you happy for someone else, is ask why. Why does a character have to do whatever it is that the author has deemed they must do? Does it fit with their character? Does it make sense?
This might mean the stakes need to be increased or more conflict is necessary to drive the character to a specific action. Maybe they're doing an action that entirely illogical but would make complete sense with more set up earlier in the story. Do we need a little backstory or introspection to clarify the why?
To much why can be a sign of a weak plot. Again, not that the story is bad or the idea sucks, but perhaps everything that needs to be there to make the character's motivation a strong one, isn't all on the page yet. I've been guilty a time or three of sending a story off to critique partners before I've gotten all the necessary words out of my head and onto the page. Sometimes, dammit, we're just really excited to send it off for feedback. Which typically leads to the story limping back covered in red ink and then it sits in the corner, staring glumly at the floor for a few days. Poor thing.
Things to consider:
Is this character under enough pressure to have to make this terrible/major choice?
Does event A, B and C add up to a logical reason why the character acts this way?
Is the character taking an active role in what happens to him/her?
You definitely have some work to do if: The character is acting erratically because...
they had a bad dream or a bad feeling with no further elaboration
for because I am the writer and I said so. Don't question me!
they just felt like doing something different that day
the prophecy said it would happen like this
Enough about character motivations, what motivates you to write?
Friday, April 14, 2017
A to Z: Letting go
2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
Part of editing is learning to Let go.
You've been with your novel for months, sometimes years. Characters have become your friends. You love to spend time in the world you've created. You hear their voices in your head and wandered the setting in your dreams.
And now you have to rip into those pretty perfect words. I hope you still have those tissues handy.
Before you start, save a copy of your file. That's the one to edit. All your sparkly awesome words are now saved for posterity. A safety net in case you totally hate what editing is going to do to your wonderful story.
Here's the thing though, its going to make your story better. However, knowing those words are all still there just as I originally intended to be frees up my brain to dig in and do what I know must be done. To be honest, I've never reverted back to that original file, and in some cases, I cringe to even skim through it. But it's there.
Once you've done all your passes, conquered the big plot issues, made sure your characters are properly motivated, nitpicked your sentences, paragraphs, and chapters, seen through to the ugly where you thought there was only sparkle, it's time to let go even more. It's time to send your newly chiseled masterpiece off to other eyeballs.
The owners of those eyeballs (if they are good, honest beta readers and/or critique partners) will tell you about all the rough patches that still need fixing. Do you have to listen to every word? No. Should you take them into consideration, at least generally? Yes. After all, you shared your word baby with them for a reason.
After this nerve-wracking process, its time for a polish pass and then the next step, a step back from your pretty words as you send them off into either a paid editor, submissions, or whatever avenue you're self publishing with. Somewhere around here, we have to let go for good and move on to the next project.
We create the first drafts of our story for ourselves. It may always be your favorite version of the story, perhaps with darling tidbits that only you will ever enjoy, but in the process of letting go, the story will be stronger and appeal to an audience wider than one.
Editing can be a major process but it creates a stronger story. Do you find it painful or do you enjoy it?
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
Part of editing is learning to Let go.
You've been with your novel for months, sometimes years. Characters have become your friends. You love to spend time in the world you've created. You hear their voices in your head and wandered the setting in your dreams.
And now you have to rip into those pretty perfect words. I hope you still have those tissues handy.
Before you start, save a copy of your file. That's the one to edit. All your sparkly awesome words are now saved for posterity. A safety net in case you totally hate what editing is going to do to your wonderful story.
Here's the thing though, its going to make your story better. However, knowing those words are all still there just as I originally intended to be frees up my brain to dig in and do what I know must be done. To be honest, I've never reverted back to that original file, and in some cases, I cringe to even skim through it. But it's there.
Once you've done all your passes, conquered the big plot issues, made sure your characters are properly motivated, nitpicked your sentences, paragraphs, and chapters, seen through to the ugly where you thought there was only sparkle, it's time to let go even more. It's time to send your newly chiseled masterpiece off to other eyeballs.
The owners of those eyeballs (if they are good, honest beta readers and/or critique partners) will tell you about all the rough patches that still need fixing. Do you have to listen to every word? No. Should you take them into consideration, at least generally? Yes. After all, you shared your word baby with them for a reason.
After this nerve-wracking process, its time for a polish pass and then the next step, a step back from your pretty words as you send them off into either a paid editor, submissions, or whatever avenue you're self publishing with. Somewhere around here, we have to let go for good and move on to the next project.
We create the first drafts of our story for ourselves. It may always be your favorite version of the story, perhaps with darling tidbits that only you will ever enjoy, but in the process of letting go, the story will be stronger and appeal to an audience wider than one.
Editing can be a major process but it creates a stronger story. Do you find it painful or do you enjoy it?
Thursday, April 13, 2017
A to Z: Killing The Darlings
2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
That painful post in which we discuss Killing our darlings. Grab your tissues and a comfort beverage. We're going to relive some trauma.
If you have written a short story and edited it, you're familiar with chopping off a favorite sentence or two. Maybe it was a witty or touching line of dialogue, or a clever description. You mourned the loss with a sigh or a sniff.
Novels tend to have a lot more trauma simply because there are a lot more words involved. If you've written for a while, like, say, you're on your third or seventh novel, there will likely be a lot less darling killing going on. Once you've experienced the trauma, you'll work hard to avoid it. Even us pantsers will do everything possible to avoid it, including a bit of planning, even if it's all in our heads.
I once wrote a novel (my first) and spend years making it wonderful (a bloated mess) because I was learning (a lot) and didn't want to let it go. And so I give you (after much learning and wonderful and patient critique partners), a look into my own first editing trauma.
You're happily reading along during an editing pass when you suddenly realize the Barthromians, a race of people you've enjoyed working into your masterful sci-fi novel over several revisions, who have been with you for years while working on this novel, need to be deleted. Cruelly wiped from existence! Ripped from the very pages of your novel! All because your MC can avoid that interaction completely and accomplish the same character development in a lot less words using a different race also in the story. Not to mention, you may or may not have named them something that sounds like bathroom as a joke. We're done there, right? No.
That romantic evening with the fancy dance party where everyone is dressed up was fun to write, but totally doesn't fit in with the rest of the story once it's all put together. But dammit, it was fun to write and makes you feel all fuzzy inside! How special. Hand me the chainsaw.
The special weapon that makes your MC super dangerous also makes them a bit too powerful to be believable - but there's a whole backstory to how she got it and she uses it in three fights and...and... Yeah, suck it up. It needs to go.
But what about that cool space ship design you spent days on? No.
The guy who the MC violently and graphically kills in a jealous fit of rage? If he's going to be the PROtagonist, no.
The early version of the MC who shared a name with a character in a cartoon you liked as a kid? No.
Okay, can I keep the third ex partner of the MC? We spent a lot of time on him and there's that whole backstory! We get the point from the fact she already has two ex partners. Axe him.
But I can keep MC's best friend, right? She needs friends. We need a workable word count. No.
I let the cool weapon go. Can she keep her special power cybernetic eyes? For the same reason, no.
Fine. But I'm keeping the spiffy new body armor. No, you're not. Gone.
You get the idea. These are some of the many things I've cut from one novel. And I talk to myself a lot in person and in blog posts. It's totally normal. *nods reassuringly*
This is where I offer consolation and suggest starting each major editing pass with a new document because it makes losing these people, places, and things you've spend so much time on, less painful. They're not gone, but they're not cluttering up your finished piece either. And you never know, there might come a time when that very thing will come in handy in another story. Repurposing darlings
is another coping skill when you have major losses. Blogging about my discarded darlings was also good therapy.
If you want more examples of darlings I've had to cut, visit the Victims of the Knife posts. Some have been lucky enough to come back. We'll visit one such lucky guy on X day.
Have you had to kill any darlings lately?
What is the Blogging from A to Z challenge and where can I find more participants? Right here.
That painful post in which we discuss Killing our darlings. Grab your tissues and a comfort beverage. We're going to relive some trauma.
If you have written a short story and edited it, you're familiar with chopping off a favorite sentence or two. Maybe it was a witty or touching line of dialogue, or a clever description. You mourned the loss with a sigh or a sniff.
Novels tend to have a lot more trauma simply because there are a lot more words involved. If you've written for a while, like, say, you're on your third or seventh novel, there will likely be a lot less darling killing going on. Once you've experienced the trauma, you'll work hard to avoid it. Even us pantsers will do everything possible to avoid it, including a bit of planning, even if it's all in our heads.
I once wrote a novel (my first) and spend years making it wonderful (a bloated mess) because I was learning (a lot) and didn't want to let it go. And so I give you (after much learning and wonderful and patient critique partners), a look into my own first editing trauma.
You're happily reading along during an editing pass when you suddenly realize the Barthromians, a race of people you've enjoyed working into your masterful sci-fi novel over several revisions, who have been with you for years while working on this novel, need to be deleted. Cruelly wiped from existence! Ripped from the very pages of your novel! All because your MC can avoid that interaction completely and accomplish the same character development in a lot less words using a different race also in the story. Not to mention, you may or may not have named them something that sounds like bathroom as a joke. We're done there, right? No.
That romantic evening with the fancy dance party where everyone is dressed up was fun to write, but totally doesn't fit in with the rest of the story once it's all put together. But dammit, it was fun to write and makes you feel all fuzzy inside! How special. Hand me the chainsaw.
The special weapon that makes your MC super dangerous also makes them a bit too powerful to be believable - but there's a whole backstory to how she got it and she uses it in three fights and...and... Yeah, suck it up. It needs to go.
But what about that cool space ship design you spent days on? No.
The guy who the MC violently and graphically kills in a jealous fit of rage? If he's going to be the PROtagonist, no.
The early version of the MC who shared a name with a character in a cartoon you liked as a kid? No.
Okay, can I keep the third ex partner of the MC? We spent a lot of time on him and there's that whole backstory! We get the point from the fact she already has two ex partners. Axe him.
But I can keep MC's best friend, right? She needs friends. We need a workable word count. No.
I let the cool weapon go. Can she keep her special power cybernetic eyes? For the same reason, no.
Fine. But I'm keeping the spiffy new body armor. No, you're not. Gone.
You get the idea. These are some of the many things I've cut from one novel. And I talk to myself a lot in person and in blog posts. It's totally normal. *nods reassuringly*
This is where I offer consolation and suggest starting each major editing pass with a new document because it makes losing these people, places, and things you've spend so much time on, less painful. They're not gone, but they're not cluttering up your finished piece either. And you never know, there might come a time when that very thing will come in handy in another story. Repurposing darlings
is another coping skill when you have major losses. Blogging about my discarded darlings was also good therapy.
If you want more examples of darlings I've had to cut, visit the Victims of the Knife posts. Some have been lucky enough to come back. We'll visit one such lucky guy on X day.
Have you had to kill any darlings lately?
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