Monday, November 4, 2024

It's Writing month!

November marks my 19th foray into pouring out a novel in 30 days. 

I used the last half of October to get back into the writing groove, because I'm here to tell you, if you haven't been writing at all seriously in nine or so months, the brain gets a little rusty in that department.

To get back into the swing of things, I set a goal to write (at least) 500 words a day from Oct 14 to 31. Setting a goal lower than I know darn well I can do helped alleviate the pressure of  'having to do the thing'. While it was a rough start and there were three days early on that I wrote less or nothing at all, I did manage to grease the gears enough that my brain and fingers remembered how this noveling thing works. By the end of the month, I was hitting my usual NaNo pace of 1,800 words a day.

I used Trackbear, a nifty new to me app to help set my habit goal that I can also use to set word goals and combine word counts to meet those goals across multiple projects. This is super handy and much easier than trying to math while in writing mode. Check out this free app if your interested in setting writing goals and establishing good wordy habits.

How do I have time to hit 1800 words a day with a job, surprise kids, pets, and all the usual life things?  When I'm in full noveling mode, I write three times a day. Morning (before everyone else is up) tends to be pretty productive. A quick twenty minutes after work but before making dinner. And then whatever time I have between after dinner and before running the surprise kids around / spending time with my husband / becoming unconscious. 

Can I crank out 1,800 words in one sitting? Yes. Can I do that in an hour and half? Sure. Do I like to? No. It's mentally exhausting and hard to maintain day after day. For me, anyway. Your word mileage may vary. Breaking up the word load over the whole day is easier to handle and less stressful. And who needs stress? Save that for your characters. 


If you're not familiar with 
and find links to all the other 
participating writers.

This month's Insecure Writer's Support Group question is: What creative activity to you engage in when you're not writing? 

I paint, doodle, go on random new craft binges, and when in the mood, do cross stitch. What do you like to do?

Wednesday, October 2, 2024

Bookshelves, Venue groups, and IWSG

Things are slowing down. Yes, I've been waiting to say that since March. Whew! We're finally here. Which means, at some point in October, it's time to get back in the writing groove. More on that in a moment.

Last month I finally had time for podcast interviews. I did a reading of The Summoning from Everyone Dies on Indie Reads Podcast YouTube / Spotify  I also had a chat on C's Creative Corner Spotify / Apple If you have a podcast and would like to chat, shoot me an email (info on my About Me page).

As event season winds down, there are a couple of tidbits I'll share for anyone looking to get into in person event selling in 2025.

1. Book your events NOW. Yes, I know it's still 2024, but you know what? I've booked half of my 2025 events already. Many cons and art festivals book tables/booths nine months to a year out. Research your audience and where you can interact with them and secure yourself a spot in those places or at least write them down to watch for when applications open up.

2. Where do you find those mysterious places where your readers might be? Research. In theory, you likely write what you like to read. So where would you go to meet an author of the thing you like? There are Facebook groups for everything. Search for your area, your state, comic cons, festivals, library, craft and vendor events, etc.

3. Consider what you need for your table set up and get on that now rather than waiting until two weeks before your first event of the season. It seems like every year I update or upgrade something in my set up. If you're starting out, start basic, a table cloth, a stand of some sort to get your book(s) vertical, a credit card processing device, business cards or bookmarks with your name, socials, and book cover(s) on them.  Level 2 would be adding a table banner or a stand up banner or both. If you have several titles, consider getting a book rack instead of individual table easels. Amazon sells many wire book racks, but I don't like those as they hide too much of your cover if you have to use all the spaces. I designed a rack that works perfectly for me and maybe it will for you too. This one breaks down flat for easy storage and transportation in my event kit, and it allows 90% of the cover to be on display, while also keeping your books from blowing over in the wind (a real problem at outdoor events), and provides hidden storage in the back for your food, water, bags, cashbox, etc.

Back to that looming writing thing. November brings my annual writing frenzy month. So what's on the agenda for year 19?

1. Perhaps add words to i9. I haven't added much to this since last November, but I have been working on edits as the existing chapters work their way through my local critique group.

2. Godmother - the YA fairy tale I outlined but never got to last November.

3. The Adventures of Nugget the Space Chicken - Early chapter book to add to my children's chicken offerings. This one is outlined and illustrations (by my artsy daughter) are in progress.

Yep, I have plenty of options. The more important ingredient is ambition. And that's where I'm guttering at the moment. We'll see how October pans out for refilling that well.

If you're not familiar with 
and find links to all the other 
participating writers.

And that brings us to this months Insecure Writer's Support Group question: What's your favorite classic ghostly tale? 


Ok, so not your typical 'classic' horror tale, but this twisted story did make a grisly impact on me as a teen reader and has stuck with me through the years. Was I reading age appropriate stuff? Was there parental guidance on reading selections? This was the 80's, people. Definitely not. *Not for the faint of heart or those sensitive of violence toward women.




 

Tuesday, September 3, 2024

Oh Thank Goodness, It's September!

I made it through the six weekends of events in a row of the August frenzy! I won't say I'm coherent or brimming with anything other than good memories, money for groceries for the next few months, and a hankering for a week of nothing but naps and reading, but I'm here.

 August highlights include:


Author Joan Young and I spent a long weekend in Michigan's Upper
Peninsula at the Wild Blueberry Festival.
I made some time for a beer and a book on the shore of Lake Superior.

Author Ingar Rudholm and I spent a weekend meeting readers
at the South Haven Blueberry Festival.

Magical creatures at the Michiana Ren Fest enjoyed
 visiting with Laya and picking up her book.

It was a hot weekend at the Michiana Ren Fest, but I met lots of readers
and managed not to poke any eyes out with my fairy wings.

Now that I have Laya's Vacation out in the world, what am I working on next? Resting. Do I have projects lined up? Yes. I'll get back into them sometime between now November, when writing begins again in earnest for National Novel Writing Month. Until that urge returns: Naps and reading and one author event a month until the end of the year. A much more manageable pace.


If you're not familiar with 
and find links to all the other 
participating writers.
Onward to this month's, Insecure Writer's Support Group portion of the post. This month's fellow co-hosts are: Beth Camp, Yvonne Ventresca, and PJ Colando

We're back to school and talking about English class and the one writing rule we learned that messed us up. But honestly, I can't think of any rules that I've had issues with or that my editors  repeatedly have thrown back at me. There are things I've forgotten and had to look up because it's been... umm, 35 years. Other than that, I loved English classes. I took all of them, even the elective ones! It was one of the few subjects, other than art and the sewing portion of home economics, that I was really good at. Let's not talk about math or science, well, the math parts of science, anyway. Numbers bad. Letters, good!

To stay on topic(ish) though, I was recently talking with my father and he mentioned running into his English teacher, who asked if he was still writing. He had stopped before I was born and I've never read anything he'd written (in a creative writing sense), but he mentioned I was writing and published, which his teacher was excited about. This is so very weird to me because: Numbers. My English teachers and my art teacher have passed away - people I would very much have loved to share my accomplishments with - from only 35 years ago. Yet, his teacher is still out and about and remembered that he used to write. At least one English teacher, even if it wasn't mine, is excited for my accomplishments. I'll take it. :)


 

Monday, August 5, 2024

New Release: Laya's Vacation

It seems like it's been a bit since I've had a new release. Ok, it was March, which, in the grand scope of things, wasn't that long ago, but I'd really hoped to have this book done by June and well, that just didn't happen. Will I have another book out this fall? Odds are not likely, but I won't rule it out.

But we're here today to celebrate the release of Laya's Vacation! Woohoo! After months of trying to do the illustrations in between events, work, and life stuff, I finally finished this labor of chicken love. Even more stressful than trying to get the book finished was the fact that Laya was ill twice and at four years old, I was worried things might not work out for her. How long do chicken's live, is a question I get asked all the time. The answer: not as long as you'd like. My oldest chicken is 9 and she's not in a good way, but she's still kicking so we let her go about her days until she's ready to tell me she's done.

The good news is that after some meds and a lot of love, Laya is back in good health and ready to promote the release of her book. Hooray!


This book is based on Laya's adventures with me last year in Michigan's Upper Peninsula. We'll be returning there later this month so at least we made this book happen before that show. #goals

The art is all watercolor paintings and this book has more pages than the Kay-Kay book so I knew what I was in for, but still...I did it anyway. See also: Why it took so long to finish.

Short-tempered from the summer heat, Laya takes a vacation in Michigan's Upper Peninsula, far away from her family and friends. She travels to Paradise, Whitefish Point, and Tahquamenon Falls to see what animals and sights exist beyond the chicken yard.

The official release date is August 10. You can order signed copies now from the "Buy Signed Copies" tab above (within the US) and I'll get those out as soon as I have books in my hands. The book is also available from all the usual online retailers including Amazon / B&N

You can also get your signed copy at these upcoming events:

August 10&11    South Haven Blueberry Festival 
August 16-18     Wild Blueberry Festival in Paradise, MI 
August 24&25    Michiana Renaissance Festival in South Bend, IN
Aug 31 & Sept 1 Newaygo Logging Festival 


If you're not familiar with 
and find links to all the other 
participating writers.
This month's Insecure Writer's Support Group question is about using AI, which is a topic it feels like we just talked about a couple months ago and my answer is still the same: No, I don't use AI for book creation, marketing, or research. All these weird and twisted people, creatures, and plots come from my brain. Yay me!

If we could get AI on washing dishes and doing laundry, maybe mowing the grass, and cleaning toilets, now that, I'd be up for. Leave the creative stuff to humans.





Monday, July 22, 2024

Finding Your Werewolf Chicken

This post is a collection of my thoughts for a panel I'm doing with another author next year. I figured I might as well share them here to have them all in once place and for those of you who aren't nearby that might attend the panel.

I recently tabled at a comic con where I did fairly well. Fairly well = on par with last year's sales at the same event. I always strive for an increase in sales, but the current economy is such that maintaining a sales number is considered a win. 

One of the tables across from me did not do well. At all. The disparity in sales prodded me to collecting my thoughts on the matter in the hopes of helping my follow artists in improving their selling experiences. 



Let's start by putting this in perspective. We both had the same size booth in the same aisle with the same amount of foot traffic. I ran my booth solo, meaning I was out of my booth for bathroom breaks and missed 2 hours of the 3 days of open vendor floor time due to arriving at the last minute (oops, bad planning on my part) and doing a panel during vendor hours. The other artist was there the whole time and had a booth buddy so they could give each other breaks. This is, admittedly, ideal, yet I run solo 80% of the time. Because.

We were selling generally similar professional-looking products with clearly marked pricing. We both had art prints, stickers, and books (comics vs. novels). We are both the creators of our work, selling our own products.

Yet, somehow in those 3 days, (for the sake of making this easy math), let's say I made $1000. They made $10. 

Why? How?

Reason #1  I had a live chicken on my table (One of my books is about said chicken). "OMG is that a chicken?" You might think this means instant sales, but it doesn't. 80% of people who stop for the chicken do not buy anything. But here's the thing, THEY STOP.  

The most valuable thing you can add to your sales tactics is a reason for people to stop. Sure, we all hope that the obvious reason is the awesome thing we are selling. But when you're at a busy event, there's a whole lot to look at and everything is a distraction from your table. Find your own distraction. Be the distraction. Ideally, without pissing off your booth neighbors.

If you don't have a chicken (and I hope you don't, because that's my thing), there are many things you can do. One of my author friends hands out odd tidbits on a business card. Werewolf haiku? "I'm sorry, what?" See, they stopped.

Prior to having a chicken, I used, "Would you like a free short story?" Initially, this was a 1/3 sheet of paper folded over with a cover image and a 100 word story. Eventually I switched it up a condensed version of the story on the back of a bookmark, with my marketing stuff on the other side. In the end, after publishing enough books that I needed both sides of my bookmark, I got rid of the short story and went with, "Would you like a free bookmark?"

Are you going to hand out business cards or bookmarks to people who are going to just toss them? Yep. But if you get a percentage of them to stop for the few seconds it takes to make a connection long enough to be able to toss out your one line product pitch, a percentage of those will buy something. The trick is finding your thing that you can afford to give away. 

Your reason to stop doesn't have to be a sticker, or story, or bookmark. Maybe you've got a cool cosplay. Maybe it's a eye catching outfit, a funny hat, or a prop that relates to your genre or book. How about an intriguing line on a banner behind you? I've had people stop because they read 'too much alcohol' on my series banner. My tag line is also fairly successful: Science fiction, Fantasy, Horror...and Chickens. "Umm what? Explain."

It could be none of those things. You know what's free? See #2

Reason #2  Talk to people. Say hello. Notice what they bought and ask them about it. Compliment their shirt/cosplay/any item of clothing/jewelry/hair. Ask a question: Do you like to read? Are you a fan of __? Anything. Start a conversation. Get them to slow down and actually look at you and your wares. Obviously, you can't initiate the same conversation with everyone, but aim for shoppers that look promising. Watch for eye contact, for a flicker of interest in your wares, anyone who is openly into the event - meaning they're not mid-conversation with someone, look petrified you'll talk to them, or have their focus stuck on their phone.

Being sociable is not everyone's thing. I get it. I'm only a people person at shows. But you HAVE to turn it on. Think of yourself as a character playing a role if you have to. But for the love of all that's holy, do not sit silently behind your table looking pissed at the world. Got resting grump face? Don't rest. You're there to sell. Selling is hard. It takes effort. It is exhausting, especially for introverts. But you put your heart and soul into creating your thing. You want to share it with the world. Get people to stop for two seconds an actually look at your table. You owe it to yourself to make the effort to be sociable for the time you paid to be there to sell your thing. Do we hope the thing we're there to sell will sell itself? Sure, but... (see #3)

Reason #3  All your products are flat on your table, making it super easy to pay no attention to them. Get your products in front of people's eyes. People DO judge a book by the cover, but it's more likely they'll see that cover if your book is vertical. Do you need an expensive book rack? No, but they do help - as long as you get one that allows for your covers not to be half-hidden behind one another. You can use a cheapo picture/plate easel. For no cost, you can even use a stack of your books to hold up the one vertical display copy.  

If you have stickers or prints, wire grids with a few clips are your answer. Tape art to your banner. Hang it from a bar. Get things vertical. Does everything need to be? No. Go to a show and see what tables grab your attention, consider why that is. There is often a mix of vertical and horizonal display items. What you don't want to do is... (see #4)

Reason #4 Your table is too damn busy. You want whatever you're selling to stand out. Don't make your art compete with a busy table covering. I prefer plain black. That said, I do have a table banner that has simple patterns on it that goes under my book racks. These are subtle images from the backgrounds of a few of my book covers. I've seen some beautiful eye catching shimmery or theme print fabrics (that look like scales, armor, or feathers). Let your art take center stage. If your wares are busy, displaying them on a busy table covering makes eyeballs want to veer away. 

Will some people veer away no matter what? Yep. You can't win them all. Some people are terrified of chickens. They're not a fan of werewolves or haiku. They don't read comics or science fiction or whatever your genre is. They don't follow the anime that your artwork features. Not everyone is your customer. But some of them are. You just need to get them to slow down and take a look at what you're offering long enough to figure out if they are a fit for what you're selling. Even they they aren't your people, they may know someone who loves your thing and maybe they'll pass on your business card. But you'll never know if you don't get them to stop.


In my ten years of selling at in-person events of all kinds, I can say: 

10% of the attendees are just there for something to do. For exercise. To chat with their friend. To have somewhere to wander while taking their kid for a ride in the stroller. They want to get their steps in while they're face is glued to their phone. These people will likely only look at a small fraction of the booths and be too busy to bother engaging with you. I'm constantly amazed by the number of people who don't even SEE the live chicken sitting on my table until someone points it out. While you should always smile and be ready, the odds are, you won't waste your energy on these people. They are not really there to buy anything.

10% of attendees will actually peruse every single booth in search of 'the one thing' they must have. Whatever that might be. They will listen to you and smile and nod, but unless you have their one thing (and these quiet, secretive folks often don't even know what their looking for until they see it), they'll move on. Don't be discouraged by the treasure seekers.

30% of the people are there with their families. They are there for entertainment for the whole family. The odds you can get one of them to slow down with the one thing one of them loves are not zero, but they are also not high because they are moving as a chaotic pack. If you can snag a whole family of readers or fan of your thing, then you're likely to get a sale. See also, "I need to go find my parent and see if they'll buy this for me." Again, not a no, but you're going to have to pitch twice to get that sale.

The other 50% are your probable customers. They are there with money they saved for the purpose of spending it there on the things they love. Learn to spot these people. They wear clothes related to your thing. They might look a certain way that puts them in your demographic. Learn what your demographic is. There are always outliers to that, but it will help to know when to really put your efforts into a sale vs. saving your energy and going with the soft pitch instead. 

Should you be standing or sitting? Many events will provide a folding chair. They are miserable to plant yourself in for a weekend. These chairs also make customers loom over you. Standing can feel aggressive to customers, like you're ready to pounce. A tall chair is ideal. It puts you nearer eye level while sitting and they are far more comfortable than folding chairs. There are folding lawn chairs with side tables (which take up considerable space) or a directors chair. Either is a great option for comfort and facing your customers at a friendly height. Taller chairs also allow you to see further down the aisle, especially if you're in a space where your fellow vendors have a lot of tall table displays. It puts you above your own table displays if you've gone vertical. It also gives you a longer reach for pointing to items on your table.

You are paying for a table to be able to sell your art. You're also there to have a good time. Look like you're having a good time.

Having a good time might mean sketching if you're an artist. That is doing something active in your booth that may get attention. If you're an artist that makes things, maybe you're painting a figurine or stringing beads or making buttons - people like to see how your product is made. Do remember to look up and smile at people when they are approaching your table, or have your booth buddy do that if you're wrapped up in creating. If you're a writer, it might mean you have a book or a laptop with you. Be careful not get all wrapped up in your fictional escape from peopling and forget why you're there. I find it's best to save this distraction for when the traffic slows. Writing is not something people get into watching you do in person. It just makes you look like you'd rather not be there (which, while this might be true, is not good for sales).

If you have a table buddy or you've (hopefully) made friends with your booth neighbor(s), be conscious of the passing traffic and pay attention to them and why you're there. Getting wrapped up in too much conversation can lead to lost sales. People may also be hesitant to interrupt you to ask a question if you're busy talking. Be sociable with your neighbors and assistants, but available for your customers. This might mean you drop a conversation mid-sentence to pitch to a customer. It's totally fine. We all do it and we're used to picking back up once the customer leaves the area. Customers get first priority. 

Networking

Use slow foot traffic times to chat with your booth neighbors. Look at their displays. Listen to their pitches. If they have items that relate to yours, ask what shows they do and how sales are. Learn from each other. Follow each other on social media. Be friendly. You'll likely see each other again and having a familiar face to chat with or cover your booth while you run for food or the bathroom is a great asset. 

Don't be high pressure. Be friendly. Be engaging. Be proud of your wares. 

If you do those four simple things, the odds of sales are in your favor.