A to Z: Letting go

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Part of editing is learning to Let go.

You've been with your novel for months, sometimes years. Characters have become your friends. You love to spend time in the world you've created. You hear their voices in your head and wandered the setting in your dreams. 

And now you have to rip into those pretty perfect words.  I hope you still have those tissues handy. 

Before you start, save a copy of your file. That's the one to edit. All your sparkly awesome words are now saved for posterity. A safety net in case you totally hate what editing is going to do to your wonderful story. 

Here's the thing though, its going to make your story better. However, knowing those words are all still there just as I originally intended to be frees up my brain to dig in and do what I know must be done. To be honest, I've never reverted back to that original file, and in some cases, I cringe to even skim through it. But it's there.

Once you've done all your passes, conquered the big plot issues, made sure your characters are properly motivated, nitpicked your sentences, paragraphs, and chapters, seen through to the ugly where you thought there was only sparkle, it's time to let go even more. It's time to send your newly chiseled masterpiece off to other eyeballs. 

The owners of those eyeballs (if they are good, honest beta readers and/or critique partners) will tell you about all the rough patches that still need fixing. Do you have to listen to every word? No. Should you take them into consideration, at least generally? Yes. After all, you shared your word baby with them for a reason.     

After this nerve-wracking process, its time for a polish pass and then the next step, a step back from your pretty words as you send them off into either a paid editor, submissions, or whatever avenue you're self publishing with. Somewhere around here, we have to let go for good and move on to the next project.

We create the first drafts of our story for ourselves. It may always be your favorite version of the story, perhaps with darling tidbits that only you will ever enjoy, but in the process of letting go, the story will be stronger and appeal to an audience wider than one.

Editing can be a major process but it creates a stronger story. Do you find it painful or do you enjoy it?

A to Z: Killing The Darlings

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.

That painful post in which we discuss Killing our darlings. Grab your tissues and a comfort beverage. We're going to relive some trauma.

If you have written a short story and edited it, you're familiar with chopping off a favorite sentence or two. Maybe it was a witty or touching line of dialogue, or a clever description. You mourned the loss with a sigh or a sniff.

Novels tend to have a lot more trauma simply because there are a lot more words involved. If you've written for a while, like, say, you're on your third or seventh novel, there will likely be a lot less darling killing going on. Once you've experienced the trauma, you'll work hard to avoid it. Even us pantsers will do everything possible to avoid it, including a bit of planning, even if it's all in our heads.

I once wrote a novel (my first) and spend years making it wonderful (a bloated mess) because I was learning (a lot) and didn't want to let it go. And so I give you (after much learning and wonderful and patient critique partners), a look into my own first editing trauma.

You're happily reading along during an editing pass when you suddenly realize the Barthromians, a race of people you've enjoyed working into your masterful sci-fi novel over several revisions, who have been with you for years while working on this novel, need to be deleted. Cruelly wiped from existence! Ripped from the very pages of your novel! All because your MC can avoid that interaction completely and accomplish the same character development in a lot less words using a different race also in the story.  Not to mention, you may or may not have named them something that sounds like bathroom as a joke. We're done there, right? No.

That romantic evening with the fancy dance party where everyone is dressed up was fun to write, but totally doesn't fit in with the rest of the story once it's all put together. But dammit, it was fun to write and makes you feel all fuzzy inside! How special. Hand me the chainsaw.

The special weapon that makes your MC super dangerous also makes them a bit too powerful to be believable - but there's a whole backstory to how she got it and she uses it in three fights and...and... Yeah, suck it up. It needs to go.

But what about that cool space ship design you spent days on? No.

The guy who the MC violently and graphically kills in a jealous fit of rage? If he's going to be the PROtagonist, no.

The early version of the MC who shared a name with a character in a cartoon you liked as a kid? No.

Okay, can I keep the third ex partner of the MC? We spent a lot of time on him and there's that whole backstory! We get the point from the fact she already has two ex partners. Axe him.

But I can keep MC's best friend, right? She needs friends. We need a workable word count. No.

I let the cool weapon go. Can she keep her special power cybernetic eyes? For the same reason, no.

Fine. But I'm keeping the spiffy new body armor. No, you're not. Gone.

You get the idea. These are some of the many things I've cut from one novel. And I talk to myself a lot in person and in blog posts. It's totally normal. *nods reassuringly*

This is where I offer consolation and suggest starting each major editing pass with a new document because it makes losing these people, places, and things you've spend so much time on, less painful. They're not gone, but they're not cluttering up your finished piece either. And you never know, there might come a time when that very thing will come in handy in another story. Repurposing darlings
is another coping skill when you have major losses. Blogging about my discarded darlings was also good therapy.

If you want more examples of darlings I've had to cut, visit the Victims of the Knife posts. Some have been lucky enough to come back. We'll visit one such lucky guy on X day.

Have you had to kill any darlings lately?

A to Z: Jargon

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Beyond keeping your story straight and characters likable, you've got to know your own Jargon.  If you're writing a story based in the real world, this would fall under doing your research and knowing what you're talking about. If you've made up your own world, well, you should probably also know what you're talking about.

Make sure you keep special words for technology, races, planets, gizmos and magical things straight. They need to be spelled the same, capitalized or not, italicized or not, used correctly by whomever is using them and possibly in a different manner by characters who don't. Write down the rules for the thing-which-you-have-created so that you, as the Creator of Worlds, make sure those things follow those rules and don't become McGuffins, plot holes, or any other point of weakness.

The things that you create should have purpose and meaning to the plot or character. Don't create or use spiffy words for the sake of tossing them around. If you're going to pull in some technical jargon the reader has to Google to follow the story, it better be worthwhile in the grand scope of things.

Have you spent days/weeks/months creating the most detailed galaxy and know everything about all seven plants and their collective fifteen moons, the nearby asteroid belt, and the two stars that keep it all habitable? That's great, but if your story only involves one of those worlds and has a legitimate reason to mention maybe two others but we never go there, we probably don't need the chapter of world building it would take to share all of that. Stick to what is necessary for the story. Adding a little more for flavor is fine, but don't drag down the pace.

 I once created a bunch of spiffy items with rules and special words, only to realize I could get by with two of them for flavor and the rest weren't necessary to the story at all, fun as they were to create and awesome as they might be in my own mind. That epiphany led to a lot of hack and slash editing. As writers we love to create things, but we also must learn when to cut them. (Tune in tomorrow for more on that.)

Today's post breaks down to a simple: Know thy shit and use it wisely.

Have you created something nifty only to cut it later?

A to Z: Introductions

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Introducing your story to a reader starts at the beginning.  There are four beginnings we're going to touch on today, but we'll start with the obvious: The beginning of the story.

When editing, you want to make sure your story is starting at the actual beginning of the story. This point will depend on your genre and your voice, but generally this isn't where your character is waking up or taking in the picturesque scenery. It's where something is happening.

When writing that first draft, we start where we think the story starts, but that doesn't mean we were correct. Take a good look at the whole story now that its finished and make sure its the closest to that something moment.

The something can seem like a delicate balancing point. I don't mean where someone is suddenly on fire or a car crash / gun fight / bar brawl, but the point where the thing that launches your character into the story happens. Something interesting. It doesn't have to be huge with fireworks and flashing lights, but make it catchy. Make us want to know more about the character, situation, or world around them.

Next up: the beginning of your chapters. If you're switching POV with each chapter, make it clear which head we're in in the opening sentences so we're not floundering. While I enjoy a good mystery, whose head I'm now in isn't one of them. Make it clear if we've jumped to a new setting or advanced a significant amount of time from the previous chapter. And again, we should start with something interesting happening.

Now we're going to get nitpicky, take a look the beginning of your paragraphs. Do three in a row start with the same person's name or word? Time for some rewriting.

Maximum picky level: start looking at the beginning of your sentences. Last week I picked up a book where every sentence in the long opening paragraph began with "He". You would be correct if you guessed that I put that book right back on the shelf. Also watch for starting a sentence with the same word that ended the last one. It's distracting when reading.

Have any story introductions that drove you nuts or a favorite to share?

A to Z: Holes in the plot

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Nothing ruins a good story like plot Holes.  You're busy writing a scene and thinking ahead to the next and the next after that. Perhaps you're consulting a carefully planned outline, or you're going off a rough idea in your head. Maybe, like I often am, you're pulling words from the ether, wondering where the hell your story is headed. In any of those cases, it's easy to get ahead of yourself and miss resolving or explaining something along the way.

As a certified pantser, my preferred method of combating plot holes is two-fold. I don't have an outline to start with, but after the first draft, it's time to make one. Going through each scene from chapter one to the end and writing down what happens, how it's resolved and the motivations of your characters along the way is a great way to make sure you've filled in those holes before the story moves on to other eyes.

Even then, you've probably still missed a few things.

It's hard to believe that is possible, knowing the story you've spent months/years with like your best friend, but yeah, it happens. Why? Because you've spent too much time with your best story friend to see the flaws.

Step two of the plot hole filling process: shipping your best story friend off to a pair of fresh eyeballs who are bold enough to tell you what is missing. Meaning, probably not your mom or your actual best friend. This is something that would be caught in a developmental edit, but if you're hoping for a publisher, it would be in your favor to catch this stuff before your story goes into submissions or it may never make it into an editor's hands.

What's the biggest plot hole you've discovered either in your own work or a book you've read?