A to Z: Killing The Darlings

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.

That painful post in which we discuss Killing our darlings. Grab your tissues and a comfort beverage. We're going to relive some trauma.

If you have written a short story and edited it, you're familiar with chopping off a favorite sentence or two. Maybe it was a witty or touching line of dialogue, or a clever description. You mourned the loss with a sigh or a sniff.

Novels tend to have a lot more trauma simply because there are a lot more words involved. If you've written for a while, like, say, you're on your third or seventh novel, there will likely be a lot less darling killing going on. Once you've experienced the trauma, you'll work hard to avoid it. Even us pantsers will do everything possible to avoid it, including a bit of planning, even if it's all in our heads.

I once wrote a novel (my first) and spend years making it wonderful (a bloated mess) because I was learning (a lot) and didn't want to let it go. And so I give you (after much learning and wonderful and patient critique partners), a look into my own first editing trauma.

You're happily reading along during an editing pass when you suddenly realize the Barthromians, a race of people you've enjoyed working into your masterful sci-fi novel over several revisions, who have been with you for years while working on this novel, need to be deleted. Cruelly wiped from existence! Ripped from the very pages of your novel! All because your MC can avoid that interaction completely and accomplish the same character development in a lot less words using a different race also in the story.  Not to mention, you may or may not have named them something that sounds like bathroom as a joke. We're done there, right? No.

That romantic evening with the fancy dance party where everyone is dressed up was fun to write, but totally doesn't fit in with the rest of the story once it's all put together. But dammit, it was fun to write and makes you feel all fuzzy inside! How special. Hand me the chainsaw.

The special weapon that makes your MC super dangerous also makes them a bit too powerful to be believable - but there's a whole backstory to how she got it and she uses it in three fights and...and... Yeah, suck it up. It needs to go.

But what about that cool space ship design you spent days on? No.

The guy who the MC violently and graphically kills in a jealous fit of rage? If he's going to be the PROtagonist, no.

The early version of the MC who shared a name with a character in a cartoon you liked as a kid? No.

Okay, can I keep the third ex partner of the MC? We spent a lot of time on him and there's that whole backstory! We get the point from the fact she already has two ex partners. Axe him.

But I can keep MC's best friend, right? She needs friends. We need a workable word count. No.

I let the cool weapon go. Can she keep her special power cybernetic eyes? For the same reason, no.

Fine. But I'm keeping the spiffy new body armor. No, you're not. Gone.

You get the idea. These are some of the many things I've cut from one novel. And I talk to myself a lot in person and in blog posts. It's totally normal. *nods reassuringly*

This is where I offer consolation and suggest starting each major editing pass with a new document because it makes losing these people, places, and things you've spend so much time on, less painful. They're not gone, but they're not cluttering up your finished piece either. And you never know, there might come a time when that very thing will come in handy in another story. Repurposing darlings
is another coping skill when you have major losses. Blogging about my discarded darlings was also good therapy.

If you want more examples of darlings I've had to cut, visit the Victims of the Knife posts. Some have been lucky enough to come back. We'll visit one such lucky guy on X day.

Have you had to kill any darlings lately?

A to Z: Jargon

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Beyond keeping your story straight and characters likable, you've got to know your own Jargon.  If you're writing a story based in the real world, this would fall under doing your research and knowing what you're talking about. If you've made up your own world, well, you should probably also know what you're talking about.

Make sure you keep special words for technology, races, planets, gizmos and magical things straight. They need to be spelled the same, capitalized or not, italicized or not, used correctly by whomever is using them and possibly in a different manner by characters who don't. Write down the rules for the thing-which-you-have-created so that you, as the Creator of Worlds, make sure those things follow those rules and don't become McGuffins, plot holes, or any other point of weakness.

The things that you create should have purpose and meaning to the plot or character. Don't create or use spiffy words for the sake of tossing them around. If you're going to pull in some technical jargon the reader has to Google to follow the story, it better be worthwhile in the grand scope of things.

Have you spent days/weeks/months creating the most detailed galaxy and know everything about all seven plants and their collective fifteen moons, the nearby asteroid belt, and the two stars that keep it all habitable? That's great, but if your story only involves one of those worlds and has a legitimate reason to mention maybe two others but we never go there, we probably don't need the chapter of world building it would take to share all of that. Stick to what is necessary for the story. Adding a little more for flavor is fine, but don't drag down the pace.

 I once created a bunch of spiffy items with rules and special words, only to realize I could get by with two of them for flavor and the rest weren't necessary to the story at all, fun as they were to create and awesome as they might be in my own mind. That epiphany led to a lot of hack and slash editing. As writers we love to create things, but we also must learn when to cut them. (Tune in tomorrow for more on that.)

Today's post breaks down to a simple: Know thy shit and use it wisely.

Have you created something nifty only to cut it later?

A to Z: Introductions

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Introducing your story to a reader starts at the beginning.  There are four beginnings we're going to touch on today, but we'll start with the obvious: The beginning of the story.

When editing, you want to make sure your story is starting at the actual beginning of the story. This point will depend on your genre and your voice, but generally this isn't where your character is waking up or taking in the picturesque scenery. It's where something is happening.

When writing that first draft, we start where we think the story starts, but that doesn't mean we were correct. Take a good look at the whole story now that its finished and make sure its the closest to that something moment.

The something can seem like a delicate balancing point. I don't mean where someone is suddenly on fire or a car crash / gun fight / bar brawl, but the point where the thing that launches your character into the story happens. Something interesting. It doesn't have to be huge with fireworks and flashing lights, but make it catchy. Make us want to know more about the character, situation, or world around them.

Next up: the beginning of your chapters. If you're switching POV with each chapter, make it clear which head we're in in the opening sentences so we're not floundering. While I enjoy a good mystery, whose head I'm now in isn't one of them. Make it clear if we've jumped to a new setting or advanced a significant amount of time from the previous chapter. And again, we should start with something interesting happening.

Now we're going to get nitpicky, take a look the beginning of your paragraphs. Do three in a row start with the same person's name or word? Time for some rewriting.

Maximum picky level: start looking at the beginning of your sentences. Last week I picked up a book where every sentence in the long opening paragraph began with "He". You would be correct if you guessed that I put that book right back on the shelf. Also watch for starting a sentence with the same word that ended the last one. It's distracting when reading.

Have any story introductions that drove you nuts or a favorite to share?

A to Z: Holes in the plot

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Nothing ruins a good story like plot Holes.  You're busy writing a scene and thinking ahead to the next and the next after that. Perhaps you're consulting a carefully planned outline, or you're going off a rough idea in your head. Maybe, like I often am, you're pulling words from the ether, wondering where the hell your story is headed. In any of those cases, it's easy to get ahead of yourself and miss resolving or explaining something along the way.

As a certified pantser, my preferred method of combating plot holes is two-fold. I don't have an outline to start with, but after the first draft, it's time to make one. Going through each scene from chapter one to the end and writing down what happens, how it's resolved and the motivations of your characters along the way is a great way to make sure you've filled in those holes before the story moves on to other eyes.

Even then, you've probably still missed a few things.

It's hard to believe that is possible, knowing the story you've spent months/years with like your best friend, but yeah, it happens. Why? Because you've spent too much time with your best story friend to see the flaws.

Step two of the plot hole filling process: shipping your best story friend off to a pair of fresh eyeballs who are bold enough to tell you what is missing. Meaning, probably not your mom or your actual best friend. This is something that would be caught in a developmental edit, but if you're hoping for a publisher, it would be in your favor to catch this stuff before your story goes into submissions or it may never make it into an editor's hands.

What's the biggest plot hole you've discovered either in your own work or a book you've read?

A to Z: Good Guys

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



We covered the bad guys, but what about the Good Guys? And yes, I'm going to acknowledge that we've met our requirement for G and go forward calling them protagonists to save what little sanity I have.

You know your protagonist well. They've been speaking in your head for months/years. You know they're favorite color, that they have a secret craving for salty foods, and prefer comfortable clothes over fashion. But you may not have noticed that they shrug all the time and say half their dialogue with a smile. That they have paragraphs of dialogue lines and everyone else is relegated to three word responses. We seem to know every detail of what they are wearing but everyone else is just a talking head. You may be showing a smidge of favoritism to your protagonist and may need to take a pass or two to spread the love to your other characters.

On the other end of the spectrum, you may know your protagonist so well, that you're not taking the time to share some of those endearing facts with the rest of us. This can make your protagonist hard to like as they ram their way through the plot "because I'm telling you they're super awesome!". We need to be shown what kind of person they are throughout the story, especially in the opening chapters where we should be getting attached to them.

Some things that make a protagonist relatable - a.k.a things you can do to make readers not hate your protagonist (because I don't know about you, but I've read a few books where I'm cheering for the antagonist to win by chapter three).

• Give them a flaw or three
• Let them doubt themselves now and then
• Let them make mistakes
• On occasion, have them say what's on their mind rather than just think what they should say.
• Make sure they are taking an active role in accomplishing their goal rather than relying on others
• Give them one thing they are good at, even if its just being in the wrong place at the wrong time
• Don't be afraid to make them a bit quirky, funny, odd, sad...anything that makes them feel real.

What is your favorite character quirk or thing that you like to know about a protagonist?

A to Z: Check Your Facts

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Checking your Facts is yet another step of the editing process. Beyond doing research, if your story requires it, I'm talking about making sure one and one equal two all the way through your novel. This pass is best to do after you've had some time away from your piece so you can visit it with fresh eyes.

Six guys walk into the bar, but only five are involved in the brawl you write once they get inside.

Her name is Sara at the beginning of the novel, but Sarah by the end.

It was morning when they left the city. Eight hours have passed on our adventures and now we're sitting down to a tasty lunch and no one is overly hungry.

A space ship attaches to another and attacks. It is defeated. The war goes on. Are we flying around with that thing still attached?

Your character was grievously injured, but in the next scene they are fine. It's a miracle!

Your character sleeps naked. They get up suddenly from bed to deal with a situation, and no one says anything...or maybe you should give them a second to get dressed.

There are a myriad of these little details throughout a story that need to be looked over. Does everyone's hair/skin/eyes remain the same color? Do they magically change clothes during scenes? Did that important thing in the pocket of their coat, suddenly appear in the pocket of their pants when they needed it?

Is your spiffy technology accessed by a hand print on a panel in scene six or scan like in scene twenty-two?

Sometimes (very often) we get engrossed in writing and forget to keep track of these things. Which is why it's important to pay attention to them during your editing passes. Take notes. I have a notebook for just such a purpose while I'm editing, jotting down any names, facts and numbers that seem important as I read so that I can verify them throughout.

Now that you've seen some of my goofs, what's the biggest/funniest thing you've overlooked while writing?

I'd love to visit your blog and see what you're up to with the A to Z Challenge. Please be sure to leave a link with your comment.

A to Z: Extra Words

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Extra words, one of the many steps to the editing process. Sometimes it's trimming them, sometimes its adding them. Let's look at both.

In the case of a restricted work count, you may need to do some trimming to conform to guidelines. This happens most often with short stories...or novels that have inflated to 300K for no good reason. Don't laugh. It's a true story. Let's just say I'm really good at cutting words at this point in life.

You may have crutch words that can simply be cut because they serve no real purpose. Some common words to take a judgmental look at:
very
just
that
up/down - as in sitting down (sat), standing up (stood), etc.

Perhaps, upon reading your story for the twentieth pass, you come to the sudden realization that Chuck's enduring habit of hunching his shoulders when he's uncertain has gotten out of control and when you do a search for the word "hunch" it pops up thirty nine times. You might want to cut a few of those. Also a true story, though from a story I was reading for someone else.

As you skim over your words, you may begin to notice a few words or phrases that pop up and become distracting because you had them on the mind when writing and used them way more than necessary. Each story tends to have a couple of these. For example, I recently discovered that in one of my books, no one could just simply get out of a chair. They jumped out of them. Because: action!

What about adding words? Sometimes the story is sparse, and you may need to beef up description so you don't have talking heads in a void or your setting is all of two words, like "a bar". This is one of my problems. I got so used to cutting words, that sometimes I go too far and I have to rely on critique partners to tell me where my bare bones are exposed.

What words have you overused?

I'd love to visit your blog and see what you're up to with the A to Z Challenge. Please be sure to leave a link with your comment.

A to Z: Developmental Edits & April IWSG

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



A Developmental edit is likely the first type of edit you'll get back from your editor if you're going through a publisher. This edit will focus on the broader areas of plot, character, motivations and making sure everything is adequately described. That last one being where most of the comments come in on my stuff.

This is by far my favorite stage of editing, both on the giving and receiving end. This is the time to address all those questions you have in your head as you read. Why is the character doing this? What does this room actually look like? How can this thing happen when X and Y don't line up?

As the writer, you think you have this all covered. Everything makes sense to you. You can see the setting clearly in your head. You know the characters like your best friends. Your critique partners have probably read this story a couple times. Their eyes may have caught some of these issues on the first pass, but there are always more. More areas where the story can be fleshed out, or, in some cases, trimmed up.

For me, the dev edit is where the magic happens. When all the little story holes get pretty plugs, those bits that niggled at you, that maybe you weren't quite sure if they worked, get solidified and clarified and you either can confirm that new eyeballs see what is in your head, or fix it so that they can. This is where all your notes and discarded scenes get their last chance and maybe making it into the story. Sometimes I cut something in my own edits, seeing that it's slowing the story down or just doesn't fit in, but those new eyes ask a question that relates to what I removed. I still have that information. I just need to find the right place and way to work it back in.

Do you dread getting edits back on your work or enjoy the process?

Hey, it's also the first Wednesday of the month! You know what that means...

it's time for another Insecure Writer's Support Group post.

This month's question is: Have you taken advantage of the annual A to Z Challenge in terms of marketing, networking, publicity for your book? What were the results?

Other than providing a links to my published books, which are right over there along the left if you're interested <=== , no, I haven't really gone that route. Not that I wouldn't do that, because all the increased traffic is a wonderful boost, but the timing just hasn't worked out for me. I was happy enough to mesh the beta reading period for The Last God and A to Z, leaving me not entangled in edits while trying to engage in all the commenting and visiting that A to Z is about.

Since we are on the topic, if anyone is interested in doing letting me do a guest post on your blog to help promote either of my new books when they are ready to release in the upcoming months, please let me know in the comments (or my email is on the contact page) and we'll connect. The Last God is a sci-fi romance and Trust is science fiction. Conversely if you have anything new (that falls under speculative fiction) coming out soon, I welcome guest posts here as well.

I hope you're enjoying A to Z, and for those of you promoting your books this month, may you have many sales!

I'd love to visit your blog and see what you're up to with the A to Z Challenge. Please be sure to leave a link with your comment.

A to Z: Character Arcs

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.


Character arcs can be vital to making your story end in a satisfying manner. Yes, it's important that the antagonist or main point of conflict is overcome, but how did it change your protagonist?

I once wrote a novel where the poor main character suffers terribly, yet manages to defeat the antagonists by the end of the story. It should all be good, right? Sadly, no. I found the story elicited a resounding 'meh' from those that read it. The problem: The character never changed. He was the same guy at the beginning, beset by trying circumstances, who then has to make connections with several shady folks, suffers some injury and emotional trauma, but then comes out on top, generally the same guy. He didn't grow.

So it was back to the drawing board...or keyboard as it were. Time to dig deeper into the character, to make him more active in his journey, not just physically, but emotionally, so that at the end, he had changed, for better or worse.

As you read over the story you're editing, give some thought not only to the plot arc, but also the characters. Are they changed? Do they grow? Did they learn something important about themselves? Are they adequately challenged to create a solid conflict and satisfying resolution?

What's your favorite way to put characters through the wringer to elicit change?

I'd love to visit your blog and see what you're up to with the A to Z Challenge. Please be sure to leave a link with your comment.

A to Z: Bad Guys

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.



Bad Guys

Yes, if we're being official we'd call them Antagonists, but we covered A.

We agonize over our protagonist, making sure readers like them, that they have good motivations, and that their character arc is sound. Don't neglect to do the same for you bad guys (This is killing me, can we just call them antagonists and pretend we're going with B? Yes, I think we can.)

Having a well rounded antagonist can really set the story apart and make your protagonist shine even brighter. There is definitely something to having a worthy opponent. One of my favorite conundrums is realizing that the antagonist has a valid point and motivation, but is only in the wrong because we're steered toward cheering for the protagonist. Seeing both sides of the conflict makes for a rich story.

Take the time to get to know your antagonist and give them a solid soap box to stand on while they set forth in their quest for world domination. Your story will thank you for it.

Have you ever read a story and found yourself liking the antagonist more than the protagonist?

A to Z: Adverb Elimiation

2017 THEME: Editing Fiction (Because that's what I'm in the middle of doing.)

What is the Blogging from A to Z challenge and where can I find more participants? Right here.

We'll launch into April with one of the big "Rules" that people like to throw around.

Kill all the Adverbs!


What's with all the hate? Well, in many cases, the overuse of adverbs means lazy writing. It's the difference between:
John walked slowly.
John dragged his feet along the sidewalk with the enthusiasm of a drowsy tortoise.
One tells you that he walked slowly. The other shows you.

My general rule is if there's a stronger way to portray what the adverb is saying then it should be eliminated and the sentence rewritten.

When should the adverb remain?
- When avoiding the adverb makes the sentence awkward or disrupts the rhythm/flow.
- When it feels unnatural to avoid them.
- You know what, sometimes John is really just walking slowly and the word count is tight, and dammit, that's what I mean to say.

What are your thoughts on adverbs?

A to Z 2017 Theme reveal

The day has come for the A to Z April Blogging Challenge Theme Reveal. I'm sure you've all been waiting anxiously. Or you're panicking at the realization that April is fast approaching and you have a month's worth of posts to write. Relax. We have time. It's all good.

I've done short story starts for the past couple years and really enjoyed them. I love the interaction with you guys and seeing what word suggestions you'll leave each day. However, it takes a good deal of time to write each start each day along with visiting and commenting on participating blogs. This year, I've rather booked my writerly self with other projects and obligations so I'm limited on time. Which means, I need a new theme.

So I give you...Editing. Because guess what one of those things is that my writerly self is busy doing? Yes, editing. Currently: The Last God - along with likely another round on Trust and possibly on the additions to A Broken Race.

As I seem to have editing on the mind, it makes for a fairly easy topic to discuss for a month. I look forward to your comments, thoughts and suggestions.

A to Z is changing things up a bit this year, with no linky list, so if you will be participating, be sure to link to either the A to Z posts or facebook page each day to advertise your post.

Blogging A to Z 2017

April is coming up quick. I've been busy with editing and a bunch of author events in the next couple months. I've had such a good time doing short stories with you for the past couple years and had planned to do that again. Except...it occurred to me this morning that I'm going to be super busy with those two things I mentioned.

The short story route takes a lot of time beyond all the visiting and commenting on other blogs. So I'm changing things up this year. What will that be? Tune in on the 20th for the annual theme reveal.

Would you like to join the A to Z fun? Get all the details here.

While we wait for that, stop over to check out the latest Author's Answer. This month we're voicing our opinions on popular advise for authors. This week's question: Should authors write every day?

IWSG March

After wrapping up the first draft of The Last God, I've been busy editing...and then edits came in on Trust. So yes, lots of editing going on right now. 

Now to take a quick break, because it's the first Wednesday of the month...which means it's time for another Insecure Writer's Support Group post.

This month's question is: Have you ever pulled out a really old story and reworked it? Did it work out?

Yes! Trust began as a short story when I was in middle school. It graduated to a novella in high school. Then it got buried in a folder on a shelf for years while I got married, worked, and did the normal life thing.

The normal life thing didn't work out. I went back to writing, pulling out this story I still really liked, and turning it into a horrible novel. That horrible novel got shoved aside while I got divorced, married again, had kids, and wrote better novels until I finally had the hang of things.

On about draft fifty-six I was happy with the entire transformation. The project spent two years in queryland before finding a home with a small press, while I wrote two more books in the series.

Thirty-some years after the idea was born...

Trust: Book one of The Narvan will soon be published by Caffeinated Press.

Meanwhile, In Editing Land

As of ten days ago, the first draft of The Last God is finished. Which, as you've probably gathered from the title of this post, means I'm now shaping that messy lump of clay into a draft that's more organized, detailed, and coherent.

Having done this a few times now, I have to say that this is probably the cleanest and most complete from beginning to end first draft I've done so far. That only took...ten novels.

So far my major issues seem to be:

- Changing the spelling of several names between the beginning and the end. Thank goodness for find/replace. Except when you change a character name from Lex to Logan and end up with WTF words like compLoganion. Good thing this is only the second draft so I can catch these things before other eyes suffer from my bad habits.

- Sowing details about characters that never pop up again. I wrote the whole novel and then, going back to the beginning, realized I'd given one of the characters a first name that only gets used once.  Another has several abilities that never ended up being utilized, amongst other things.

- Dropping details of important events that never get resolved. After an enemy attacks and is defeated. Their space ship was never mentioned again. Were there people still on it? Did they leave? Are the good guys towing it around? Maybe it evaporated?

So yes, some cleaning going on and a good deal of better stitching events and motivations together as well. The bones are there though, and this is the least amount of rewriting I've ever had to do...so far. I say this as I launch into chapter four. Though, the beginning is usually the roughest part-where I was finding the story and learning the characters. I'm feeling pretty good about the rest. And now I've just cursed myself. Crap. I'm going to stop talking now.

To Be Published: Chetric The Grand

I've been remiss in my short story writing of late. Not to mention the editing and submitting of those I've already written. Since November, I seem to be in full novel mode. Not that this is a bad thing. In fact, it's been quite productive. The Last God has breeched 70K, and I know the ending...at least generally. Yay pantsers!

Back in November, I took a NaNoWriMo day to write a short story for a local small press's contest prompt. While I didn't win, that story is slated to be included in their upcoming anthology.

It was a challenge to work all of the prompt into the story, but fun, nevertheless. Chet wakes up to find himself inside a video game. All he has is backpack, as sword, and a note that says "Beat me and I'll send you home." More news on Chetric the Grand when I get a publication date.

Sadly, other than one other short out in submission land, my odds of additional publication notices are slim to none at the moment. Which means I should get back to this finishing this novel while I await edits on Trust so I can get back to short stories before April A to Z hits and drags me there whether I'm ready or not.

IWSG February

January was full of writing. Then suddenly, here we are two months into the new year and another first Wednesday of the month...which means it's time for another Insecure Writer's Support Group post.

This month's question is: How has being a writer changed your experience as a reader?

Short answer: Reading isn't as much fun as it used to be.

Why? It's hard to turn the editor off and sink into a story. I'm much more critical than I used to be. Stories I might have given three chapters to grab me, I now give one. Stories I would have finished just because I started reading them, now get set aside unfinished. Maybe part of that is probably due to getting older and less tolerant and not having as much free time.

I get very frustrated when characters do something illogical, when plots revolve around the fact that two characters simply misunderstood or didn't talk to one another, when there's too damn much description, nothing significant happens for pages on end or there's a freaking thirty page glossary and appendix at the end of a romance novel. Just no. 

Things I would have shrugged off, overlooked, or let go before I started seriously writing, are now roadblocks to enjoyment. 

On the positive side of things, I do better appreciate a masterful plot, well-written description, and character interactions. Aspects of the story, that as a general reader I would have simply enjoyed and sped along, now stand out because I'm watching for them.

One last insight on this is that I don't read as much as I used to. Because I'm writing during that time. Ah, the perils of productive time usage, or attempts thereof.

Writing my way through January

Yes, I've been quiet. That's because I've been writing.

After all these years reading paranormal and sci-fi romance, I finally gave in to writing one. What started as my side project in November during NaNoWriMo has continued to grow and flow. Thankfully. I even know how it ends and I'm only two thirds of the way through. Which if you're in the extreme pantser category like I often am, you know how much of a miracle this is.

The Last God has been fun to write, so far. I say that because things have been moving along so well, that I'm just waiting for either my ambition or inspiration to suddenly go dry. But so far, so good.

Once I get a better handle on how to spell my MCs name, I might even share a little about it. Yes, you read that right. I've spelled her name soooo many different ways that's it become rather a game of key mashing the general shape of the thing every time I use it. I had to say it last night at my writer's group meeting when I was passing out the latest excerpt and let me tell you, having to pronounce the name I haven't decided how to spell was pretty much a vocalization of a keymash. It's *mumble* Ja...*mumble* I'm happy to report the first two excerpts have been well received despite the name issue.

Other than happy writing away and gathering a few extra winter pounds, we've been searching for an exchange student for the next school year. As of yesterday, we may have secured one from Denmark. We're quite excited because she has the same interests as my daughter and when you have a nerd artist, that's not such an easy niche to match. Nerd artists tend to be shy and not go out for exchange student programs, not like the sporty kids do anyway. We should know in a week or two if we've made a solid match between our school, her family, and the exchange program.

I have been reading and watching but doing so much of both lately that I haven't been good about keeping track. Oops. I should probably get better about that again. I did manage to read 38 books last year, which, while I'd set out to do the 52 book challenge, is technically a fail, is a lot more books than I made time for the year before. That's a win...in my book. (Ouch, I know.)

One Word Resolutions

In 2012 I happened across the idea of a one word resolution to carry me through the year. It's worked fairly well because, well, its one word and that can be interpreted in so many ways. It's hard to fail. Not that I haven't, but it's harder than saying I'm going to lose weight or work out more or eat better. More of a theme for the year than a specific thing.

So let's see, 2012 was the year of Less. This helped me overcome my habit of over obligation.

Healing from that problem, 2013 was the year of Me. In which I focused a little more on myself instead of doing everything for everyone else.

2014 was the year when I said I would Write. Remember when I said I failed? Ahem, this was that year. Shit happened. Goal denied.

2015 was sort of a do over year. I tried to work toward solving my problem from the year before by choosing Time. Making time to do the thing I wanted to do: write. Because, well hell, no one else tells you to sit down, stop doing all the things, and write. You have to do that yourself.

After all the stress relief and making time, Relax was my word for 2016 and I'm happy to report that went pretty well. I bought myself a comfy chair in which to spend my mornings. I met up with friends for lunch now and then and connected with others, enjoyed local breweries and the winery, took some days off from work beyond weekends (something I rarely do). Lots of deep breaths, a few massages, and lots of dog snuggles.

And this year, yes, six days into it, I finally have made the decision on my one word. Life has been busy, but it's been a good sort of busy. My kids are growing up and don't require every waking hour of my attention. After fourteen years of volunteering, I'm down to one pseudo time sucking school-related obligation. I have my own space for me time. I've decreed mornings before 9am are my time to write, and woe to anyone who disrupts that sacred hour or two.

So this year, my word is Enjoy. I say this surrounded by incense, which I haven't used in a very long time, but love smelling. The candles are lit. My feet are up. There's a furry warm blanket on my lap and a sleeping dog on the floor beside me. I'm gazing at my own books on my desk while working on a new one. I'm thinking fondly of Tuesday nights when one of our favorite breweries has half off flight nights where we go meet our friends for a hour or two each week. My bills are paid. My lazy kid is in college and paying his own way (Yes, I know that doesn't make him sound lazy). My younger one is responsible to a fault, which is a vast relief after all the nagging I had to do with the other one. My husband's band is back out playing so he's got his own creative outlet to fill his time while I write. We spend the last our or two of the day on the couch together with our dogs, watching Netflix.

Right now, life is good. I'm going to enjoy it.

IWSG: It's A New Year

December has been busy - as evidenced by my lack of blog posts. Ooops.  Here we are already,  a new year, another first Wednesday of the month...which means it's time for another Insecure Writer's Support Group post.

I'd love to say that the next couple months of snow and frigid temperatures means more time inside in my writing chair, but there are chickens to take care of, dogs who want to play, kids to nag, a house to keep clean, and work do to. Nothing really slows down around here. Ever. So I must use the time I have in my chair wisely.

My NaNo fatigue wore off early this year, allowing me to dive back into writing The Last God and spending an afternoon at an author event, plotting out Interface and how to fix two short stories between selling books to Christmas shoppers. It turns out there are benefits to no Wi-Fi and forgetting to bring your phone charger. Yay productivity.

This month's IWSG questions is: What writing rule do you wish you'd never heard?

It's a toss up between killing all adverbs and start with action!

Yes, adverbs can weaken writing, but there comes a point when you're so intent on eliminating them that you're overthinking every word choice and how to avoid using adverbs and all productivity grinds to a halt, your writing sounds stilted and unnatural and you hate the thing you just created because of all the aggravation it caused in writing it.

Adverbs in moderation, yes. Kill them all, no.


And then there's the start with action! I can't tell you (I won't) how many times I rewrote opening scenes, opening chapters, deleted a chapter, wrote two new chapters... oh the aggravation, just trying to follow this rule. We word people take action as, you know, action! Explosions, car crash, gun shots, fist fight. But no, just start the damned book with something interesting happening. That's what the rule should say. But when we're starting this writing journey and we hear there's rules, we want to be good writers and follow them.

Start where the story gets interesting, not where your MC is on fire.

You try to be a good and thoughtful mom...

When I was pregnant with my first child I decided to write a journal with the intent to note all the excitement about the coming birth, our family, our house, the fun things we do together, daily stuff as he grew, and current events as they related to us. This seemed the perfect way to capture all the things that I wished I had access too both as a person as I got older, memories of childhood that we easily forget, better understanding your parents while they did their parenting thing, and what they really thought about me when I was a kid.

See, I don't have those things. My father worked a lot when I was a kid - as in my main memory of him is him falling asleep at the dinner table. He wasn't home for the majority of the daily stuff, school, friends, etc. And though I remember some random snippets here and there, it's the kinds of memories and thoughts a mother has that I wished I still could enjoy. However, my mother died unexpectedly when I was nineteen. I do have the traditional baby book with dates of milestones, but its the personal touches that I miss most. With that in mind, and the perpetual paranoia that I, too, might drop out of existence before my children we ready to hear what knowledge of their childhoods I might remember - twenty-some years after the fact when they were done with their total focus on high school, video games, friends - I set out to write a journal for each of them.

My intentions were good. I made pages of each family member, parents, grand parents, great grandparents, our house where they would grow up (that we no longer live in), the history of the special cradle that has been handed down for generations that they first slept in. I tried to write every few days, often propping my eyes open for a few more moments during pregnancy and the early years that are filled with exhaustion.

I'd already filled one journal for my son when my daughter came along. Now I had two journals to write in. That was harder. It doesn't seem like a paragraph or two every couple days would be a big deal...until you're keeping up with two kids and working full time, and that whole lack of sleep thing. But I plodded onward.

Sad to say, my hands aren't what they once were in terms of handwriting and my job puts a lot of strain on them. Had I started with typing the journals, this project probably would have lasted longer, but alas, that wasn't the case, and I had to (for my sanity) set it aside in 2009. By that point my daughter was seven.

I tucked the journals away in a fire safe for a magical time when they were old enough to appreciate all my efforts on their behalf.

That time came a few weeks ago when I was shuffling through the safe looking for some papers. My son is now eighteen. I thought about saving them for when he moved out, or got married, or was going to have a kid of his own, but who knows when any of that will happen. So 'In college' became the milestone. And then, as I was getting his two journals out, I figured what the hell, I might as well give my fourteen year old daughter hers as well and check that project off my mom list.

I handed each of them their journal(s) and explained what they were and why I'd created them. They both said thanks and went back to his video games (not sure he'll ever grow out of that phase) and whatever she was painting (this child is my mini-me as a teen).

As there were no immediate reactions, I gave them each a few days before asking if they'd taken some time to read a little of their journals. Son: no. Daughter: yes. While I was disappointed that my son hadn't touched them (they were, in fact, sitting right where I'd left them on his desk), I was somewhat heartened to hear my daughter had at least read some of it.

"Great. So what did you think?"

"I can't believe I liked squash!"

"Crazy, but true. So how much did you read?"

"The whole thing."

"And that's the one thing that stuck out?"

"Yeah. I hate squash. I can't believe I liked it."

Yep. That was her entire take away of seven years of staying awake and pushing through hand pain to share my thoughts of her early childhood.

I have hopes they will both (again / eventually) read their journals when they are at whichever more appropriate milestone in their lives that  appreciate what I have left for them. Then again, perhaps it is the fact that I'm still right here, that they don't. And if that's the case, I'll be happy to be here as long as I'm able and those journals can keep gathering dust.

IWSG December and NaNo Blog Hop

Welcome fellow NaNoWriMo participants. It was a tough year for many of us, but we made it though November - hopefully with a pile of words that we're still adding to or starting to edit. I'm still adding and have a long way to go. I'm also editing, because I had multiple projects. High fives to all you NaNo rebels out there.

Having done NaNo for eleven years, and 'won' ten of those, I like to keep things interesting each November. I know (as long as I'm not building a house) that I can pound out 50K in thirty days or less. That means I need to further challenge myself. Sometimes that means writing a different genre, changing up my usual method of POV, experimenting with plot or structure, or just going outside the box with short stories or a combo of any of the above. If you've done NaNo for a few years, what do you do to keep yourself challenged? 


And we're back to the first Wednesday of the month, which means it's time for another Insecure Writer's Support Group post.

This month's question: In terms of your writing career, where do you see yourself five years from now, and what’s your plan to get there?

I would like to have at least five more books out there, some self-published and some with my current publisher. I'd like to aim for one a year to keep some forward momentum. Currently, the first three books of The Narvan series are under contract, so there's three of my five taken care of - barring any unforeseen publishing issues. Which means, I have two other novels out of the pile of languishing WIPs on my computer to finish, edit, polish and publish. Oh, the choices!

As to why I'd like to continue the self-published/published route, I like not having all my projects tied up in one place. I like the freedom to market in both directions - my efforts and theirs. A good deal of my writing doesn't fit in simple genre categories either, which makes self-publishing a good option for those odd projects.

My plan to get there? Well, that involves spending my mornings in this chair, a lot of typing, probably a large amount of chocolate consumption and hours of frowning at what I've written along with a lot of hours of editing and rewriting. But I'll get there.

November in the blink of an eye

I woke up this morning and took a long shower to wash the NaNo off. Wow, I got lost in November, and boom, its suddenly December!

We held an early TGIO party for our region so my NaNo obligations are over a week earlier than ever before. It feels really weird, but it's a good kind of weird. I'm not as burnt out as usual, so that early party thing? We're definitely doing that again. Though, hopefully without pulling a muscle in my back next time, because that was NOT good. Thankfully, it's nearly recovered now after a week of taking it easy.

NaNoWriMo 2016 yielded one short that's already out in submission, a proposed epilogue and prologue for A Broken Race that readers have ben asking for, a little progress on Interface - which was supposed to be my main project, and a third of the first draft for The Last God, a sci-fi novel that I've been toying with in my head for the past six months or so. All those words got my to my tenth 50K 'win'.

I also read five books because I managed to catch a nasty cold and was good for nothing than blowing my nose and coughing up lungs...and curling up under a blanket with a book (or five). All were by Sherrilyn Kenyon, each in a day, because they're quick, easy reads for my tired brain. I also watched the entire second season of Dark Matter - a must watch for sci-fi fans if you haven't already, and Glitch - an Australian paranormal series that may live to see a second season. If you liked Resurrection, give it a try.

December is looking like editing and revision as well as catching up on all my blog visits month.

NaNoWriMo 2016 Progress

I set out this month with every intention of buckling down and finishing the initial draft of Interface. I'd spent well over a month going over what I had so far from last year's effort when my attention went awry. I'd made notes. I was all set to go. Aaaand about 5k in I decided to take a morning to write a short story for a submission window that closes at the end of the month. That poured out pretty quickly and was done by the end of the day. Then it was back to Interface. For a whole day. Oh look another sparkly short story idea to play with. A couple days later, I wrapped that up. Ok, ok, back to Interface. But then there was this sci-fi story idea I've been kicking around for a few months. Somehow a new document opened and words started to pour out. It was the weirdest thing, I swear. This story is racing right along so I'm going to run with it and see where it goes and how long it takes to get there. Not sure if this is more of a novella or a full novel yet. We'll have to wait and see. Yes, Interface is still open in my document list. It's cursor is blinking angrily at me. I haven't told my daughter yet that I've veered off from finishing the novel she wants me to be working on. Shhhh. It's NaNo. I go where the words are flowing. While I'm busy writing, it's also a busy month for interviews. Here's one I did with Motown Writers.

November IWSG

It's day two of NaNoWriMo, which means I'm busy writing and probably not wandering around blogs very much. Sorry about that. I have words that need to be written! It's also the first Wednesday of the month, which means it's time for another Insecure Writer's Support Group post.

What am I working so madly on this November? Several things, which will (hopefully) add up to 50K. My primary project is wrapping up Interface, a YA Sci-fi story that has plagued me for several years now. Or maybe it's the annoyed look by my daughter that has plagued me...because I haven't finished the book she wants to read. In addition (or if that project goes sideways yet again), I have a proposed possible epilogue for A Broken Race that I might toy with, a short story that's due by the end of the month and possibly the beginning of book 4 of The Narvan. Projects are not something I lack. Motivation and time are my enemies. Thank goodness have an entire region of guilt monkeys to keep me on track during NaNo.

So this months ISWG question is: What is your favorite aspect of being a writer?
Getting lost in my own world. Not during the first draft, because really, I'm figuring out that world as I spew words onto the page. I mean during edits, when I start fleshing things out, connecting the dots, and really digging into my characters. The hard part of figuring out what the story is is behind me and at that point I can sink into the subplots and make things deeper, darker and more meaningful. At this point the story is for me, and that is my favorite part.

NaNo Eve

On the eve of NaNoWriMo, known as Halloween to some, it seems quite appropriate that on Authors Answer, we share the best writing advice we've received. And that sentence really felt like it should rhyme, but it's early and my brain isn't up for that task just yet. All of this advice seems to directly relate to the challenges of NaNo, so if you're participating, do take a look and be fortified for the task set before you.

Still on the fence about writing a novel in a month? If you haven't given it a try, why not this year? Writing starts tomorrow. There's plenty of time to sign up. 50,000 words in 30 days. It's totally doable. NaNoWriMo, go on, try it.

I'm looking forward to diving headfirst into of writing a pile of new words. It's my writing guilt-free month. People know I'm writing and I'll be in and out in the coming weeks, rushing dinners before write-ins and sitting there distracted while I'm plotting the next scene in my head.

And today is my last day of planning, so I guess I better get back to doing that. Tomorrow, I write.

On Being Thankful

If I were looking to jinx myself, I would do a post I've been contemplating for a while about being thankful. But I wouldn't do that, because I know how the universe works.

I wouldn't want to dwell on the fact that I'm vastly enjoying life in my new house with plenty of room for everyone. Or that my writing room has in fact remained a writing space, free of clutter, or other encroaching household items seeking storage space.

If I were foolish, I would curse myself by talking about how comfortable and inviting my writing chair is, or my new warm, furry lap blanket, or the horde of chocolate I have stashed away for NaNo writing sessions. I surely wouldn't want to mention that I suddenly have more story ideas than I will have time for this November.

Speaking of work going well enough to support two people, or at least well enough to pay the bills, would surely prod the powers that be to bring about some costly misfortune that would sideline my intention to be credit card debit free (creative financing for unexpected projects when we built our house two years ago) by spring of next year. 

I wouldn't want to invite an onslaught of poor reviews by saying that Sahmara has been well received or talk about the nice comments on the cover art from people at the author fair I attended last week.

No, doing any of these things would be just asking for trouble, and I certainly don't need that. So, instead, I'll just leave the whole topic of being generally healthy and happy with where I am in life out of this post and get back to planning my NaNo project, because, thankful or not, I can't seem to focus on that no matter how hard I try.

IWSG October 2016

Welcome to this month's Insecure Writer's Group post. The question this month is:  When do you know your story is ready?

My stories are written in a flurry of words. They're messy and ugly. After one or ten edits, they go to my crit group where they point out all the ugly bits I overlooked. Around this time a story might be ready. It might not.

So how to know when? It's a feeling. And sometimes that feeling is wrong (like when multiple editors point out the same reasons for rejection). But, for the most part, it isn't.

It's a point where you can read the story and not have any doubts over a line or a paragraph, scene or chapter. When the story makes you smile and feels complete. When you've reached the point where you're fussing over a word choice and realize you're just screwing around rather than bucking up and putting it out in submissions.

The stage when you're sick of your story and don't ever want to see it again...unless you're holding a printed copy in your hand with your favorite signing pen in the other.

When you've run out of ideas of how to make it any better than the version in front of you. That's when it's time to either shelve it or pat it on the head, smile at it one last time and sent it off into the world to see what becomes of it.

Back to Writing

With Sahmara released out into the world, I've been busy prepping for November and NaNoWriMo. That means brushing up on my annual Municipal Liaison list of things to do. This being my eighth year as an ML I rather have a system down so preparing everything for my region isn't near as stressful as it used to be.

Setting up the big events, getting the regional forum seeded with posts, starting to fill the calendar with scheduled events, it's all happening. I've got sixty goody bags ready to go, activities planned for the Kick off Party and our big mid-month write-in. Auction items are set aside and prizes are bagged and awaiting the fun to begin.

Now I have time to do some prep work on the novel I hope to finish this November. For the third year, though not consecutively, I will be working on Interface, a YA science fiction novel. Interface began as a short story in 2010 when I did 50K worth of short stories, which was an interesting exercise that resulted in a couple stories I was able to polish and publish and several others that haven't been touched in six years. Last year, I hauled Interface out and got it rolling as a novel. I dove into NaNo intending to finish it. Aaaaand then the niggling idea to write the third book of the Narvan hit me hard and I ended up writing that from beginning to end instead. So this year, darn it. I'm finishing Interface. Three NaNo years. It's time. So that means I'm reformatting my scattered efforts to a unified and non-distracting layout, taking notes and jotting down ideas for the path to resolution. With just over a month to go, I better quit with the distractions (like writing blog posts) and get on with the planning.

New Release: Sahmara

I'm happy to announce that Sahmara is live and ready for your reading enjoyment. This fantasy novel is available in both ebook and print and is currently free through Kindle Unlimited.

Back in 2006, I heard about this thing called NaNoWriMo and thought I'd give it a try. I'd just wrapped up my first full draft of Trust and wanted to see if I could really write a novel in a month rather than far too many years than I care to admit. As it turns out, I could! But it was short and unfinished and really rough.

Sahmara sat on my hard drive for many years before I got the itch to work on it again. Why? Other projects and life. Those things happen. But it's the getting back to and finishing of that matters.

This novel features my first foray into writing fantasy after much focus on soft science fiction as well as a bisexual main character. I like to try new things. In writing - just to be clear. In life I like to try new beers, that's my version of wild and crazy, otherwise I'm happy in my writing chair.

After ten long years of waiting patiently, I present you with: Sahmara.

Many prosperous decades of peace have made the people of Revochek apathetic toward their gods. Without fervent worship, the twin gods Mother and Hasi have grown weak. Unable to protect their worldly territory their cruel uncle, Ephius, and his devoted followers run rampant. Towns are plundered and the stench of death taints the air. Those that weren't killed or hiding are slaves. Without warriors to channel their powers, the Mother and Hasi are defenseless. If all of Revochek falls, the balance of the gods will be broken, paving the way for Ephius to plunge the entire world into war.

 Deep in the enemy country of Atheria, one young woman escapes her captors only to find herself alone, unarmed, and starving. Torn from her life of privilege and the arms of her ma’hasi lover, Sahmara is unfit for life on the run, and running is the only thing she knows to do in order to get home. The well-being of her family is unknown, and if Zane hadn’t been killed, he is a slave. No one is coming to save her.

Desperate, Sahmara prays for help. She does not expect her prayer to be answered by an ancient woman with a thirst for blood or that her single desperate plea might be the one that rescues them all.

Sahmara and September IWSG

I'm happy to say that August was a productive month. After ten years, I can finally say that Sahmara, my first fantasy novel, is done. I will be publishing the ebook soon and print copies shortly after to take to upcoming author events I'm attending.

Many prosperous decades of peace have made the people of Revochek apathetic toward their gods. Without fervent worship, the twin gods Mother and Hasi have grown weak. Unable to protect their worldly territory their cruel uncle, Ephius, and his devoted followers run rampant. Towns are plundered and the stench of death taints the air. Those that weren't killed or hiding are slaves. Without warriors to channel their powers, the Mother and Hasi are defenseless. If all of Revochek falls, the balance of the gods will be broken, paving the way for Ephius to plunge the entire world into war.

 Deep in the enemy country of Atheria, one young woman escapes her captors only to find herself alone, unarmed, and starving. Torn from her life of privilege and the arms of her ma’hasi lover, Sahmara is unfit for life on the run, and running is the only thing she knows to do in order to get home. The well-being of her family is unknown, and if Zane hadn’t been killed, he is a slave. No one is coming to save her.

Desperate, Sahmara prays for help. She does not expect her prayer to be answered by an ancient woman with a thirst for blood or that her single desperate plea might be the one that rescues them all.

More about Sahmara soon, but for now, its time for the monthly Insecure Writer's Group post.

This month's question: How do you find the time to write in your busy day?

I find it's easiest to write first thing in the morning before my mind is overwhelmed with the tasks I have to accomplish. I'm not ready to talk to real people, and it's a calm way to ease into my day while doing something productive.

This is also the time of day I do things I don't like to do when I'm fully awake, like clean toilets and shower drains. I can open up a document and not be bothered by sentences or entire paragraphs that might be as bad as that rotting hair glob slimy with weeks of conditioner and body wash. I can edit through my wordy glob of suck or I can simply overlook it and plow onward depending on where I am in the process. Mornings are a time for getting things done without dwelling on them.

If I had one of those magical plot breakthrough thoughts before I went to sleep or during the night, I can get that written while the words are fresh. I'd rather be writing than getting ready for work. It's the only time of day that I actually procrastinate by writing.

If the planets are aligned and the juices are flowing, I can usually get a thousand words or so down in the sixty to ninety minutes I have in the morning. On those days, if the ideas are still churning or I have the next scene to ponder, I can sneak back to my document on breaks and get those down in few minutes before getting back to work.

When I'm in major writing mode, I'll also take an hour before bed to crank out a little more, but for the most part, I'm a morning writer. Unless I'm cleaning toilets.